Born in Brooklyn, New York, Gordon Weiss made his debut musical performance miming on the recorder along with the other third graders, which made him vow to learn to play an instrument for real. His first true foray into the world of music took the form of studying classical trumpet for eight years, culminating in two performances at Carnegie Hall with the New York City All-City Band. It was deja-vu when he stood up for a trumpet fanfare to find that his mouthpiece had fallen out backstage.
By then Gordon had been bitten by the Beatle bug and his love for clever songwriting with strong melodic hooks took over full force. But it was the power chords of Pete Townshend and The Who that made him give up the trumpet and pick up an old acoustic guitar, which he promptly stripped of two strings so he could play along with all of John Entwistle’s bass lines. Gordon soon acquired a proper bass and played in bands in high school and college, before adding a Stratocaster to his collection, which prompted his first attempts at singing and songwriting.
Realizing that playing in bands with names like “Dead Grotty” would unlikely lead to a record deal, Gordon went to medical school and eventually became a child psychiatrist. He relocated to Connecticut and continued to feed his cravings for classic rock and pop music, with healthy doses of Elvis Costello, Squeeze, XTC, Crowded House, Jellyfish, Honeydogs, and Candy Butchers, while amassing a catalog of his own songs that he played at occasional impromptu gigs, open mikes, or family gatherings.
A thoughtful gift of drum lessons to help him learn to really bang out some of those Neil Peart licks he had always air drummed along to, led to forming a musical friendship with great session drummer Greg Trabandt of RVP Studios. After hearing of Gordon’s unfulfilled dream to make a record of his original music, Greg not only introduced Gordon to veteran producer Jeff Cannata, but agreed to play drums on all the tracks of Sum Of Its Parts. Featuring brilliant contributions from ace keyboard player Jeff Batter and soaring vocal harmonies from Pete Hodson and Bill Welch of Z-Plan, Gordon wanted to keep this first solo album personal by playing the rest of the instruments himself. The album was released on Gornpop Records, a nickname for Gordon referencing an affection for a large, albiet very slow, lizard from Star Trek.
A world tour did not follow. But thanks to The Weirdo Mike Viola Superfan StageIt Group, a wonderfully supportive community of fans, many of whom are fellow musicians, Gordon kept writing and playing online live performances, including a performance of side 2 of Sgt. Peppers Lonely Hearts Club Band in its entirety with support from his daughters and nephews. After a seven year hiatus, Gornpop Records is pleased to announce the release of “It’s About Time”, featuring nine new original songs.